WHAT HAS HAPPENED TO LULU?
CHARLES CAUSLEY
What has happened to Lulu, mother?
What has happened to Lu?
There’s nothing in her bed but an old rag-doll
And by its side a shoes.
Why her window wide, mother,
The curtain flapping free,
And only circle on the dusty shelf
Where her money-box used to be?
Why do you turn your head, mother,
And why do the tear-drops fall?
And why do you crumple that note on the fire
And say it is nothing at all?
I woke to voice last night,
I heard an engine roar.
Why do you tell me the things I heard
Were a dream and nothing more?
I heard somebody cry, mother,
In anger or in pain,
But now I ask you why ,mother,
You say it was a gust of rain.
Why do you wander about as though
You don’t know what to do?
What has happened to Lulu, mother?
What has happened to Lu?
POEM
ANALYSIS
ELEMENT OF THE POEM
SETTING
Place
: Probably
England – based on the word ‘money-box’ which is commonly used by the British,
Lulu’s room, fireplace.
Time
: Some
time in the past
PERSONA
·
An observant, inquisitive, and
precocious child
·
Either the younger sister of brother of
Lulu, the main subject of the poem
THEMES
·
The end of childhood and loss of
innocence
·
Parent-child relationship
·
Grief and love
MESSAGES
·
We should seek help in the face of
challenges
·
Families should be havens of love and
understanding
·
Be open and honest with children
MORAL VALUES
·
Love and appreciation
·
Obedience and respect
·
Honesty
·
Freedom and responsibility
TONE AND MOOD
·
Tone
:
confusion
·
Mood
: sadness, irony
LANGUAGE AND STYLE
·
Written in six stanzas of four lines
each; second and fourth lines rhyme
·
Regular and simple form fits the voice
of the narrator/persona, a young child
·
Literary
devices : rhetorical questions, imagery, alliteration,
onomatopoeia, contrast, symbolism.
THE POET : CHARLES CAUSLEY
·
He was born in 1917 in Launceston,
England and died in 2003.
·
His first play Runaway was published when he was nineteen. Besides poetry Causley
also wrote articles, short stories, plays and opera librettos.
·
In 1958. Causley became a Fellow of the
Royal Society of Literature and was awarded a CBE in 1986. Thereafter, he
received more awards and became a notable figure on poetry.
OVERVIEW OF ‘WHAT HAS HAPPENED TO LULU’
·
The poem tell the story of a mother
grieving because her elder sister daughter, Lulu has run away.
·
Observant and curious about tell-tale
signs of a hasty getaway, the child narrator questions her mother about the
incident in a series of rhetorical questions.
·
The mother is distraught and tells her
child a series of lies
MEANING OF LINES
STANZA 1
The persona is questioning her mother about the
mysterious and sudden disappearance of Lulu. Two pieces of Lulu’s childhood
have been left – an old rag-doll and a shoe.
STANZA 2
The persona observes that the windows are open wide
and the curtain are ‘flapping free’ in the wind. The persona notices the ‘dusty
shelf’ where ‘her money used to be’.
STANZA 3
The persona asks the mother why she is hiding her
tears. The mother crumples up a note (most probably from Lulu) and throws it
into the fire. Then, mother tells her child that ‘It is nothing at all’, but
the persona disbelieve her.
STANZA 4
The persona tells that she was awakened by ‘voice
late last night’ and heard the sounds of an ‘engine roar’, probably a car
starting up and being driven away. The mother says that the child was only
dreaming.
STANZA 5
Undaunted, the persona insist that she had heard
someone cry ‘in anger or in pain’. The mother says it was just ‘a gust of
rain’.
STANZA 6
Puzzled about the mother‘s distraught behaviour, the
child narrator wants to know why the mother is pacing about, uncertain what to
do. The use of ‘Lu’ in lines 2 and 24 is an affectionate shortened form of
‘Lulu’.
ELEMENT OF THE POEM
SETTING
PLACE
·
Probably England as indicated by the
‘money-box’ which is typically British.
·
Lulu’s room, the fireplace
TIME
·
Some time in the past
PERSONA
·
The ballad is recounted from the
unlimited is either the younger sister or brother of Lulu
·
The persona is observant, inquisitive
and precocious – asks question bout Lulu based on sharp observation of Lulu’s
room and the mother’s distraught behaviour.
·
Through the child’s voice, the reader is
drawn to make intelligent conclusions about the drama in the poem.
THEMES
The
end of childhood and the loss of innocence
Ø Lulu
is probably a young teenager based on the tell-tale signs in her room: ‘old
rag-doll’, ‘shoe’. Lulu probably ran away based on the note that her mother
crumpled and threw into the fireplace. The missing ‘money-box’ suggests Lulu
took her savings to start a new life with a man who drove her off with ‘an
engine roar’. Lulu has left her childhood behind – literally and emotionally.
The ‘dusty shelf’ suggests the end of childhood and she embraces her new-found
freedom (‘window wide’, ‘curtain flapping free’).
Parent-child
relationship
Ø The
mother–Lulu relationship could have been a sense and strained one. Lulu, a
rebellious teenager, perhaps dislikes her mother’s restrictions on her freedom
and emerging interest in the opposite sex. She keeps secrets from her mother,
especially her relationship with boys or men.
Ø The
mother-child narrator relationship is less dramatic. The child is obedient and
respectful towards ‘mother’ (not ‘mummy’, a more affectionate term). The
narrator loves mother very much and observes her pain and distress.
Grief
and love
Ø Grief
over the loss of a loved one through death, separation or an elopement is
difficult to deal with. The ones left behind can feel empty, lost and depressed
or go through denial. In the poem, the mother is grieving over the loss of her
child, Lulu.
Love binds parent and children. The mother clearly loves Lulu. She could
have harshly disciplined the girl to guide and protect her. The mother might feel regret for this. Lulu’s
running away causes her anguish and she tries to deal with her pain. The child
loves the sister, calling her by the pet name ‘Lu’ and is worried about the
sudden disappearance of the elder sister.
MESSAGES
We
should seek help in the face of challenges
Ø The child narrator’s mother is depressed over
the disappearance of her daughter, Lulu. Instead of seeking help, she crumples
her daughter’s note and throws it into
the fire, saying ‘it is nothing at all’ even as her ‘tear-drops fall’
Ø If
we are confronted by problems or crises, we must be optimistic and seek help
from those we can trust. For example, there are the Befrienders who can listen
to us and help us find solutions.
Families
should be havens of love and understanding
Ø We
can infer that there is love in the family of the persona but it may not always
be openly expressed because of problems or circumstances. Love is expressed in
verbal and non-verbal ways, and we must not tae family members for granted.
Ø Children
must understand that their parents have their best interests in mind. Parent
are more mature, so it is their duty to lead and guide children.
Be
open and honest with children
Ø Perhaps
Lulu finally shares her honest thought in the note.
Ø Parents
need to be open an honest with their children instead of lying, evading or
dismissing queries and observations as the mother does in the poem. Children
might learn the same way of communication from parents.
MORAL
VALUES
Love
and appreciation
Both parents and children should express
love and appreciation in tangible and non-tangible ways. This help to build a
loving, united family.
Obedience and respect
Children have to be obedient and respect
their parents who brought them into this world. Children owe this to their
parents who sacrifice a lot for their sake.
Honesty
Honesty is important for creating basic
trust and thus a more loving, harmonious home. Children must also be honest
with their parents. Keeping secrets especially in making important life choices
can have a negative consequences.
Freedom
and responsibility
Parents have their right to curb the
freedom of their children as they are their providers, carers and life
teachers. Children must also realise that freedom comes with responsibility.
Boundaries are necessary for their own safety.
TONE AND MOOD
Confusion
This is reflected in the voice of the
persona who questions why the mother give evasive replies or tell white lies
Sadness
A mood of regret pervade the poem. We
see this in the plaintive questions of the child, the mother’s tear and
distraught actions which betray her sense of loss and regret.
Irony
There is an undertone of irony in the
child’s persistent and pointed questions which put the reader in the position
of the child. The mother denies that anything is wrong, thinking that her
younger child is unwary of her lies.
LANGUAGE AND STYLE
The poem has six stanzas with four lines
each. The second and fourth lines rhyme.
It has a regular and simple rhyme form
befitting the voice of the narrator, a young child. This simple, direct form
suggest the child’s innocence.
LANGUAGE AND STYLE
LITERARY DEVICE
Rhetorical
questions
The rhetorical questions (which provide
no answers) of the child narrator, the key one in the title, are the same
questions which readers are also asking.
The innocent and direct questions give
us clue about what has happened. Thus, readers are challenged to read between
the lines.
Imagery
Empty bed with an old rag-doll, a shoe
and missing money-box stress the innocence and youth of Lulu (stanza 1, lines
3-4 and stanza 2, line 4)
‘window wide’, ’flapping free’ (stanza
2, lines 1-2)
‘circle
on the dusty shelf…money-box used to be’ – a tell-tale sign that Lulu fled with
her money (stanza 2, lines 3-4)
‘engine roar’ (stanza 4, line 1-2)
‘somebody cry…pain’ (stanza 5, lines
1-2)
‘tear-drops fall’, ‘crumple that note on
the fire’, ‘wander about’ – images of the mother’s grief and distress.
Alliteration
The alliteration of the ‘w’ sound in ‘window
wide’ (stanza 2, line 5) emphasises the new, vast world out there awaiting
Lulu.
Onomatopoeia
‘flapping tree’ – imitates the sound of
a bird’s wings as it flies freely in the skies, symbolic of freedom
‘an engine roar’ – suggests the anger,
abruptness and speeding away of the car that carried Lulu away.
Contrast
The child’s innocence and openness in
her questions and observations is contrasted with the evasion and lying of the
mother.
Symbolism
‘an old rag-doll’, ‘a shoe’, ‘money-box’
symbolise Lulu’s innocence and abandoned childhood.
‘window wide’ and curtains ‘flapping
tree’ symbolise Lulu’s and new-found freedom.